| Likelihood of occurrence | 1 Improbable | 2 Possible | 3 Occasional | 4 Frequent | 5 Regular | 6 Common | | --- | --- | --- | --- | --- | --- | --- | | Severity of injury | 1 Trivial | 2 Minor | 3 Major to individual | 4 Major to several | 5 The death of an individual | 6 Death of multiple |

• Mark safe paths with tape, and brief the cast about prop locations.
• One member of the production crew will stand behind the camera operator to guide their movement and ensure safe navigation during tracking shots. | | Falling during choreography or acting scenes | Actors | Bruising, twisted ankle, and hitting the head | 4 | 3 | Rehearse the performance carefully before filming, and keep the first aid kit nearby. | | Equipment (lights, camera, tripods) | Prod crew, cast | Tripping hazard, equipment damage | 3 | 1 | - Ensure tripods are locked securely and place on flat ground.
• Keep a safe distance from active areas | | Battery overheating/Low battery mid-shoot | Prod Crew | Equipment malfunction, data loss | 1 | 1 | - Check all batteries before filming
• Carry spares and avoid leaving gear in direct sunlight. | | Camera stability | Director | Strain, shaky footage, loss of balance | 4 | 1 | - Use a gimbal for stability.
• Take breaks during long shots and rehearse movement beforehand. | | Filming in Narrow Alleys | All | Limited space, sharp corners, uneven floors —> Collisions and falls | 4 | 3 | - Conduct a location inspection beforehand, remove hazards (loose stones, trash).
• Limit number of people inside the alley at one time. | | Shooting in Convenience Stores, Cafés, Malls | All | Crowds, fragile items, restricted space | 3 | 3 | Avoid blocking customer pathways. | | Fatigue/dehydrationdue to long filming hours | All | Exhaustion, dizziness | 5 | 3 | Schedule breaks, and provide water and snacks. | | Dancing on Crosswalks | Actors | Traffic movement, vehicles approaching unexpectedly, limited time to film between light changes, slippery road surface. | 4 | 4 | - Do location scout first to ensure the place is safe enough for filming.
• Film only during the red-light phase for vehicles and ensure the scene is completed within the allowed pedestrian crossing time.
• Assign two production crew members as traffic spotters on each side of the road to monitor incoming vehicles and signal the team when it is safe to begin or stop filming |

ESSENTIAL EMERGENCY CONTACT